The Disjointed Epic: Reconceptualising Grandeur in a World of Fragments(A Conceptual Inquiry from The Strand, Easter 1995)
From this window, high above the ceaseless, ancient flow of the Thames, a pulse runs. It's not just the city's rhythm below – SoHo's vibrant, labyrinthine hum, each brick and every echo of music resonating with an undeniable interconnectivity – but a deeper current, the very isness of everything. Here, the world refuses to be contained by simple lines. It sprawls, layers upon itself, a grand, beautiful, chaotic whole. And it is this raw, felt truth that compels me to question the very framework through which we comprehend "epic." For too long, the epic has been presented as a linear procession: the journey of Odysseus, the meticulous unfolding of Tolkien's quests, the plotted precision of Dickens's social tapestries. These are monuments, certainly, vast and undeniably profound, illuminating the human condition through a singular, discernible path. Yet, when my thoughts move – as they often do – not in sequence but in simultaneous bursts, connecting dispara...